Recent Activity
-
in forum: Charleston
Today the Charleston City Paper announced their 2024 Music Awards Nominees and the lists are… interesting to say the least.
I’m curious what everybody thinks of this? Did the City Paper stop paying attention to the local music scene?
Check it out:
in forum: Local ScenesIf you are part of a local music scene that is not yet represented here at Extra Chill, comment in this thread and we will see about having one added for you. We are happy to open new subforums any time, as long as there is a demand for them. Thanks for joining the Extra Chill Community!
in reply to: What’s Your Favorite Late Night Music?Truly a progressive and truly mind-bending classic ❤️🔥
in forum: Music DiscussionBooda Cess aka OGB aka Da Big Homie creates dope music consistently as an underground artist. Beginning with the first release as a member of Da Mobb Family, the group’s self titled albums “Da Mobb Family Vol. 1 and 2, are considered classics in the Charleston music scene. Booda Cess quickly established himself as one of the hardest rappers in the city. Despite many setbacks with various ventures throughout his career, he has multiple projects on deck. Booda and artist/producer Warp MNDS...
Booda Cess aka OGB aka Da Big Homie creates dope music consistently as an underground artist. Beginning with the first release as a member of Da Mobb Family, the group’s self titled albums “Da Mobb Family Vol. 1 and 2, are considered classics in the Charleston music scene. Booda Cess quickly established himself as one of the hardest rappers in the city. Despite many setbacks with various ventures throughout his career, he has multiple projects on deck. Booda and artist/producer Warp MNDS have released a series of group EP’s, “CHS NDRWRLD I, II and III(Charleston Underworld) which are all available on streaming platforms along with a solo album “Cessionz ” the grind continues…
in forum: Music DiscussionThis is a place to collect songs that made you cry, and optional stories about the moment when it happened. Sometimes, the moment and the music combine, and the tears simply flow.
I’m not ashamed to include stories about my musical cries. Here are a couple that I can think of right now.
The Avett Brothers – “Morning Song”
This one got me at Shaky Knees 2015. I wasn’t really familiar with the Avett Brothers at the time, but when this song played, I hugged my friend Alaina and cried...
This is a place to collect songs that made you cry, and optional stories about the moment when it happened. Sometimes, the moment and the music combine, and the tears simply flow.
I’m not ashamed to include stories about my musical cries. Here are a couple that I can think of right now.
The Avett Brothers – “Morning Song”
This one got me at Shaky Knees 2015. I wasn’t really familiar with the Avett Brothers at the time, but when this song played, I hugged my friend Alaina and cried tears of friendship. It’s been a favorite of mine ever since.
Death Cab For Cutie – “Passenger Seat”
Has made me cry a few times. Specifically, during the pilot episode to the TV show Californication. And again in the shower during college, on a day when I was just going through it.
Atmosphere – “Yesterday”
This one got me during college, while home visiting my family on Winter break. Things were not great between myself and my family at the time. It’s a beautiful song about the father-son relationship and it hit just right for me at the time.
—
That’s all that I can think of for now, but I know that there are more songs and artists out there that have made me cry, and more that will make me cry in the future, so I plan to come back here and update this periodically. And, I hope some other people chime in!
in forum: Music DiscussionKing Cutler’s latest release “Glory In The End”, is a testament to his unwavering commitment to growing in the craft of hip hop and his community. Following his earlier album, “Who I Am,” released earlier this year, “Glory In The End” is a testament to his journey of persistence, authenticity, and overall visionary outlook on the intense realities of his past that fuel his want for more life and success for not only himself, but his team.
The EP is a compact but powerful explorati...
King Cutler’s latest release “Glory In The End”, is a testament to his unwavering commitment to growing in the craft of hip hop and his community. Following his earlier album, “Who I Am,” released earlier this year, “Glory In The End” is a testament to his journey of persistence, authenticity, and overall visionary outlook on the intense realities of his past that fuel his want for more life and success for not only himself, but his team.
The EP is a compact but powerful exploration of the highs and lows that accompany the pursuit of greatness.
The titular track “Glory” sets the tone, underscoring the sometimes strenuous nature of success. Cutler reflects on the journey of aligning soul, mind, and body, asserting that the trauma of the past has shaped his appreciation for the present. He invites listeners to enjoy the fruits that you EARN and bask in the glory of a self made journey, a sentiment that resonates throughout the short lived EP.
The song “Prevail” further emphasizes this theme, with Cutler’s lyrical prowess shining through as he navigates the complex emotions tied to ambition and community upliftment.
“Im tryna sail the 7 seas, protect my n**** from hell/throw away ya digi scale, cop some land and keep a bill and a sale/ and if they hear this then they feeling me now/ Godspeed I know my timing is well/ I got supporters tryna follow me now/ I graduate the block this jewelry like my cap and a gown/ I always prevail”
With each verse, Cutler’s authenticity lives true, as he articulates the nuanced realities of striving for success not just for himself, but also for his team and even broader, the Black community.
“Glory in the End” serves as both a personal reflection and an inspiring ode, urging people to embrace the journey and celebrate the fruits of their successes and triumphs, however long it may take and through the doubt and fire.
in forum: Music DiscussionHoly City Records Artist LGP Ammon’s “Father” represents a significant evolution in not only his artistry, but his life outside of 16 bar cuts- showcasing a deeply personal and introspective narrative. The 14-track album delves into the complexities of newfound fatherhood and the etherically transformative power it holds.
Ammon’s lyrical depth is evident as he navigates the potent thoughts and emotions tied to his new role, balancing vulnerability with strength and spirituality with...
Holy City Records Artist LGP Ammon’s “Father” represents a significant evolution in not only his artistry, but his life outside of 16 bar cuts- showcasing a deeply personal and introspective narrative. The 14-track album delves into the complexities of newfound fatherhood and the etherically transformative power it holds.
Ammon’s lyrical depth is evident as he navigates the potent thoughts and emotions tied to his new role, balancing vulnerability with strength and spirituality with eloquence and depth.
“Miles,” serves as an emotional anchor, setting the stage for a heartfelt exploration of his fears and hopes for his son, Miles. The poignant “Miles,” featuring Sunn, offers a touching letter to his newborn, infused with a powerful poem that underscores the importance of healing and building a solid foundation for his family.
This sentiment is mirrored in the “Barbershop interlude,” where LGP Ammon pays homage to the cultural significance of barbershops in the Black community, seamlessly transitioning into the song “Barbershop,” which imparts wisdom to young fathers through one of the most underrated, unofficial therapists, a black barber.
Beyond highlighting a low-key cornerstone in black therapy, this is a clever take on LGP’s duality of knowing the many grim faces of some who have been in his situation and failed, and how he can break the mold.
LGP Ammon’s lyrical dexterity is one of my favorite attributes of his style. From the line for line wordplay, to the almost poetic nature of his fluid delivery, LGP keeps a fresh sound in each song.
Even though “Father” is deeply retrospective, there are a few tracks like “Lost ” and “Law of Attraction” reminiscent of his previous album “This Is Totally Not A Hype Album”. Another similarity between this album and the previous are the well placed collaborations from Sunn, Nu of UnHeard, Sha AMG, Destiny Patrick and of course King Cutler
“Similar Minds,” a collaboration with Holy City Records creator, King Cutler, that channels Wu-Tang vibes through a clever, ping-pong style flow. The two emcees parallel the planning and execution of a heist with their collaborative ‘hive mind’ of being in tune with each other as they prepare for a takeover.The track is a showcase of their combined skills, LGP creating the blueprint and King Cutler as the inside man ready to put in the work, illustrating the depth of their lyrical craftsmanship.
However, the most potent tracks in my opinion are “Father?” and “Time”.
“Father?’ which stands out as a profound soliloquoy of faith, destiny, and reality driven doubt . Here, Ammon wrestles with his relationship with God, expressing feelings of being silenced amidst life’s challenges while grappling with the spiritual responsibility of raising his son.
“Time” grazes on the same topic but goes more in depth with the ‘play by play’ of LGP’s mental and emotional state the moment he realized he was a father. Opening with a poem, an oath, a promise from LGP to his son Miles.
“See I knew this day would come, but God had plans for my journey/ i’m still humble but some relations that i fail to show mercy/no one can hurt me/you can tell the confrontation deters me/until the foot of your arrival I feel more un-deserving/ fell to my knees, the doctor is telling me to breathe, a wife in the same week, must be a catch I didnt see/ the fear consumes me, everything I thought could happen, would indeed/ prepared for all the worst, but found more faith in my belief.”- from “Time”
Holy City Records continues to create a rich tapestry of narratives that celebrate personal journeys, community ties, and the transformative nature of love and responsibility. Through their distinct yet complementary styles, artists like LGP and King Cutler inspire listeners to reflect on their own experiences while championing the importance of living and thriving in your truth with resilience. #GxldApproved
in forum: Music DiscussionOur friends at Train Songz, the bluegrass music and Billy Strings Fan zine and Instagram meme account have just launched their Train Songz Presents podcast. The concept for the podcast is that a band plays a full one hour set of music that begins and ends with a Train Song. On this page I will collect and share all of the episodes as they are released. Which means that this page will become a great resource to discover rising bluegrass artists.
Episode 1 features the Minneapolis-based group,...
Our friends at Train Songz, the bluegrass music and Billy Strings Fan zine and Instagram meme account have just launched their Train Songz Presents podcast. The concept for the podcast is that a band plays a full one hour set of music that begins and ends with a Train Song. On this page I will collect and share all of the episodes as they are released. Which means that this page will become a great resource to discover rising bluegrass artists.
Episode 1 features the Minneapolis-based group, Buffalo Galaxy.
Train Songz also released their fourth edition zine, which is available for purchase here. Learn more about the zine via the Cluckin’ Chuck interview from earlier this year.
Train Songz Presents Episode 1: Buffalo Galaxy
SETLIST
1. Midnight Flyer
2. River
3. Tin Can
4. Althea
5. Darker Now >>
6. Paint
7. Darlin’
8. Up on the Hill Where They Do the Boogie >>
9. Lonesome Fiddle Blues >>
10. Up on the Hill Where They Do the Boogie >>
11. Reuben’s Trainin reply to: Billy Strings FansPretty rad to see how Billy is giving refunds to everyone who went to his Renewal Festival. He left on the first night to be there for the birth of his son. The festival continued in his absence, with the other groups on the lineup coming together for special sets.
Now, a few days later, he announced that everybody is getting their money back. What a guy!
As a side note, his son shares a birthday with Trey Anastasio of Phish.
in reply to: Erode The Dream – Charleston, SC (Rock/Grunge/Heavy)The song “Salt” is now available on all streaming services, including this lyric video on youtube:
in reply to: Gotti Da Ghost – Mount Pleasant (Hip-Hop)Hey guys! It’s been a minute! Just dropping the links to a few of my music videos! Watch, comment, and share! 👻🖤🔥
“Outchea”
“Survive”
in forum: Music DiscussionSup everybody?
This thread is for sharing your favorite music for late nights.
Whether it’s about the vibe, the party, or something in-between, we can all appreciate a well-placed late night jam. Introspective, or trippy? Upbeat, or chill? Depends on what’s got you up at such a late hour.
I’ll start with just a few and come back later after people respond. The beauty of the forum format is that we can keep updating it over time as we find more songs, or remember songs that we used to...
Sup everybody?
This thread is for sharing your favorite music for late nights.
Whether it’s about the vibe, the party, or something in-between, we can all appreciate a well-placed late night jam. Introspective, or trippy? Upbeat, or chill? Depends on what’s got you up at such a late hour.
I’ll start with just a few and come back later after people respond. The beauty of the forum format is that we can keep updating it over time as we find more songs, or remember songs that we used to listen to late at night, years ago.
Here is some late night music that I enjoy:
Funkadelic – “Maggot Brain”
This one’s a mind-bender, especially on those nights when you’re… uh… tripping balls.
Wilco – “Via Chicago”
Introspection and distortion from one of the most influential indie rock bands of all time.
Portugal. The Man – “Sleep Forever”
For this one, you really should watch the cinematic music video for the full effect.
Okay, your turn. What are your favorite late night jams?
in reply to: GooseI just started listening to this band again
Goosemas 2024 is in Charleston 12/13 & 12/14. Themed ‘Bingo Live’ the shows will feature a host selecting songs for the setlist in real time.
https://extrachill.com/goose-announces-bingo-live-theme-goosemas-2024
I will be attending Goose’s NYE run in Austin, TX not long after I move there. 12/30 and 12/31
My one hope for this band is that they start to change up their performance a little more. Go off the deep end a bit. To me, listening to...
I just started listening to this band again
Goosemas 2024 is in Charleston 12/13 & 12/14. Themed ‘Bingo Live’ the shows will feature a host selecting songs for the setlist in real time.
https://extrachill.com/goose-announces-bingo-live-theme-goosemas-2024
I will be attending Goose’s NYE run in Austin, TX not long after I move there. 12/30 and 12/31
My one hope for this band is that they start to change up their performance a little more. Go off the deep end a bit. To me, listening to these shows on Bandcamp, there isn’t that much of a sonic difference between each one. I’d love to see some more variation in the sound.
Still enjoy the band of course. That’s just my two cents.
in forum: Music DiscussionLivin’ By The Water by Abby Webster has come onto my radar via the Spotify algorithm and after listening to it on repeat for about a week, I think it’s excellent. Released on August 16th, I first heard the single “Calliope” back in March and it was in frequent rotation for me throughout the Spring. At the time I was listening to a lot of underground indie stuff because I had just been at SXSW, and I guess Spotify decided to introduce me to a songwriter that I really like, for the first time in a while....
Livin’ By The Water by Abby Webster has come onto my radar via the Spotify algorithm and after listening to it on repeat for about a week, I think it’s excellent. Released on August 16th, I first heard the single “Calliope” back in March and it was in frequent rotation for me throughout the Spring. At the time I was listening to a lot of underground indie stuff because I had just been at SXSW, and I guess Spotify decided to introduce me to a songwriter that I really like, for the first time in a while.
This record has a country twang, an indie darling sentiment, with hints of classic rock and country music that just hits straight down the middle for me. On the whole it’s about this free, almost-beatnik lifestyle that involves listening to Cat Stevens, drinking lots of beer, and frequently camping in the woods. In the meantime, encountering both physical and emotional demons, and coming to terms with it all along the way.
“Calliope” is an obvious standout that was released as the first single, and was clearly a good choice for that. Signifying love and heartbreak, while also recognizing her own contributions to the demise, alongside an utter existential feeling about it all. The imagery of being in nature and collecting flowers makes it feel very grounded to my ears, and helps to give the song a physical presence.
The whole album has this presence, something like a mountainous campground on an early autumn evening, as we accompany Abby on a bluegrass-tinged voyage through easygoing and simultaneously difficult experiences. Abby finds meaning in the mundane in a way that is whimsical and relatable for anybody who has spent time exploring out in the sticks while also consuming alcohol and/or marijuana and/or psychedelics.
Lyrically, “Camping” is a ton of fun, and also brings some of the most vivid imagery on the record. In her most country-twang voice that we hear on this album, she sings of alien, bears, and thorn encounters while camping in a tent. I can picture this existential dread out there in the woods, drunk and paranoid on some possibly nonexistent things. There is no clarity offered, just this sense of existential dread.
Also hear “Sorry”, notably the guitar intro which is a nod to Fleetwood Mac’s “Rhiannon” — intentional or not (I’m guessing intentional).
“River Rats” is my current favorite song on the album, because like “Calliope” it encompasses all of the album’s themes. This time, though, it tells a nostalgic story of friendship and growing up. It’s very accessible and also thoughtful.
Anyway, if you can’t tell, I very much like this album. Somehow it also reminds me of Billy Strings and the Grateful Dead, for that rawness and embracing of a lifestyle that some people might frown upon, but can be liberating in its own way. I think I’ve gone on about it enough. Let me know what you think if you check it out!
in reply to: Don Merckle – Charleston, SC (Americana/Folk Rock)My new album SAME DEVIL NEW SKIN dropped Friday! Working on promotion and a short tour. Ya’ll give it a spin, tell me what you think. I’m including a short descriptor about the album from my Bandcamp page. provides a little context.
“SAME DEVIL NEW SKIN is the 4th full length studio solo record from Don Merckle. Specifically constructed to be experienced from beginning to end. Each track gaining strength and significance from the one preceding it BUT also capable of existing individually on a...
My new album SAME DEVIL NEW SKIN dropped Friday! Working on promotion and a short tour. Ya’ll give it a spin, tell me what you think. I’m including a short descriptor about the album from my Bandcamp page. provides a little context.
“SAME DEVIL NEW SKIN is the 4th full length studio solo record from Don Merckle. Specifically constructed to be experienced from beginning to end. Each track gaining strength and significance from the one preceding it BUT also capable of existing individually on a “song-by-song” basis. This album is designed to provide multiple experiences depending on how you choose to listen.
Don conceived the idea for this album while watching a documentary on folk-horror films and wondered if anyone had written such a thing as a folk-horror record. SAME DEVIL NEW SKIN was born and with the help of producers Evan Simmons and Zac Thomas it evolved into a 9 song cinematic roller coaster of dark themes, wild ideas and catchy melodies. A cross between trippy murder-folk and haunted western disco.
Recorded at The Jam Room Recording studio in Columbia, SC”